Abstract:
The Hyderabad metropolis of India is one of the fastest growing cities with growing population. The city’s access to women and how women navigates and defines the city, and the gendered cinematic urban spaces is explored in this paper. The movies of
Hyderabad which include the regional cinema released in the 2000s are analysed. The paper uses semiotics and discourse analysis to understand the nuances of the complex relationship of women and the city. The built environment directs the navigation of a person in the city but for women it is fraught with risk and the spaces laden
with cultural and social signifiers. In literature and popular culture, the city is equated to the women and their body- both equally dangerous. The presence of women in the city spaces induces male anxiety. The city is a place for loose morals in the form of sex-workers, temptresses and uncontrolled female desire. The good women are always
indoors. Women outside the domesticity spaces, has to declare her purpose. A woman out loitering for the pleasures of exploring, being and belonging to the city is not stressed and the paper tries to make a case for it. In this background, I study the films to try
answer - How women in the cinematic city navigate and access the city? C ) t ry to d efine t he c ity girl r epresented i n t he c inemas D ) How modernity has freed the city women and is the new women here–in the movies.
