Abstract:
This book aims at discussing the fashion of the Kings
and Queens during the Kandyan Kingdom of Sri Lanka (15th
Century – early 19th Century).
There are plenty of visual records to study the
background of this setting such as sketches and descriptions
made by observer – participants of the period, historical
murals, carvings and sculptures of the period. Wall paintings
which depict the dress of the era, sketches of foreign diplomats
are observed in the research. Historical details about the
Kandyan dress are well documented visually even more in
the early administrative eras. Original written sources and
true pictorial evidences were used for the research. Besides,
the Kandyan tradition has a living culture as well. Therefore,
when dresses of the Kandyan era are examined the Kandyan
period is remarkably marked with very significant signs with
ample visual and written evidences. Museum collections
of dresses belonging to the era were observed. Therefore,
pictorial data were cross checked with different literary
sources such as temple murals and particular literature,
research work pertaining to the subject, enabling to build a
strong logical analysis of fashions of the Kings and Queens
of the Kingdom of Kandy.
The Firstly, the study tries to testify the reliability of
chosen images of the Kings and the Queens of the Kandyan
Kingdom. The reliability of factors is taken as the key in
presenting the chronology of costumes of the Kandyan
Kingdom.
.
This collection of writings on fashion of royalty of the
Kandyan Kingdom of Sri Lanka is based on fundamental
documents that intend to discuss the original majesty
of the royalty of the Kandyan Kingdom. In the ancient
administrative eras of Sri Lanka, royal majesty was depicted
almost uniformly in every temple mural. It can be suggested
that the sartorial etiquettes of royalty who were depicted in
the early administrative eras were based on ancient doctrine.
However, the presentation of the Kandyan royalty in their
recordings is rather exotic and different from early depictions.
Each King shows individual aesthetic appreciation in his
sartorial etiquettes. Their many dress categories, shapes and
silhouettes, materials, colour, patterns and jewellery show
intricate delicacy in fashion.